CURRICULUM VITAE

*    *    *

1947 

Born in Detroit, Michigan, USA

Currently lives and works in Toronto, Ontario, Canada

Education

1978 

Master of Fine Arts, Concordia University, Montréal, QC, Canada 

1968 

Wayne State University, Detroit Michigan 

Western Michigan University, Kalamazoo, Michigan, USA

Forthcoming Solo Exhibitions

May 5 - August 20, 2016

Performing an Archive, McMaster Museum of Art, Hamilton, ON

2017

Performing an Archive, Art Gallery of Windsor, Windsor, ON

Forthcoming Group Exhibitions

The Feminist Avant-Garde of the 1970s, Works from the SAMMLUNG VERBUND, Vienna, 2016 - 2018 tour including stops in:

Photographer's Gallery, London UK September29-January 8, 2017

Museum moderner Kunst Stiftung Ludwig Wien (Museum of Modern Art, Vienna, Austria May 4-September 10, 2017

ZKM | Centre for Art and Media, Karlsruhe, GermanyAutumn 2017

Dům umění města Brna, Brno, Czech Republic Winter 2017/Spring 2018

Stavanger Art Museum, Stavanger, Norway Summer 2018

Selected Solo Exhibitions

2014

Introducing Suzy Lake, Art Gallery of Ontario,Toronto, ON Canada (retrospective, publication)

2013

Suzy Lake, The Darling Foundry, featured exhibition of Moisde la Photo “Drone: The Automated Image”, Montreal, QC Canada (catalogue)

Suzy Lake: Who Gaze Is It Now, Grand PrairieMuseum, Grand Prairie, AB Canada

Suzy Lake: Miss Montréal, Galerie Donald Brown, Montreal, QC, Canada

2012 

Suzy Lake: So Whose Gaze Is It Now, Georgia Scherman Projects, Toronto, ON, Canada

2011

Suzy Lake: Political Poetics, University of Toronto Art Centre, Toronto, ON, Canada; Mount Saint Vincent University Art Gallery, Halifax, NS, Canada; McIntosh Gallery, Western University, London, ON, Canada; Peterborough Art Gallery, Peterborough, ON; Macdonald Stewart Art Centre, University of Guelph, Guelph, ON, Canada (touring exhibition, catalogue)

Extended Breathing, Paul Petro Contemporary Art, Toronto, ON,Canada 

Reduced Performing, Galerie Donald Browne, Montreal, QC, Canada

Suzy Lake: Reduced Performing: Blinking and Breathing, Gallery Stratford, Stratford, ON, Canada

2009 

Rhythm of a True Space, Solway Jones Gallery, Los Angeles, California, USA

2008 

Rhythm of a True Space, Art Gallery of Ontario, CONTACT Photo Festival installation, Toronto, ON, Canada

Excerpts from Re-Reading Recovery, Paul Petro Contemporary Art, Toronto, ON, Canada

2007 

Beauty at the End of the Season, Paul Petro Contemporary Art, Toronto,ON, Canada

2006 

Suzy Lake: Revealment/Concealment, Hallwalls Gallery, Buffalo, New York, USA (catalogue) 

On Stage, Paul Petro Contemporary Art, Toronto, ON, Canada

2005 

Visages de Suzy Lake: L’ete Photographic de Lectoure, Centre dePhotographie de Lectoure, Lectoure, France

2004 

Whatcha Really, Really Want… (Canadian Idol), Paul Petro Contemporary Art, Toronto, ON, Canada

Chrysalis: a 10-Year Survey, Justina Barnicke Gallery, Hart House, University of Toronto, Toronto, ON, Canada

2003 

Who Pulls the Strings?, Paul Petro Contemporary Art, Toronto, ON, Canada

2002 

Beauty, Paul Petro Contemporary Art, Toronto, ON, Canada

Attitudes et Comportements, Musée Régional de Rimouski, QC, Canada

Beauty at a Proper Distance/ In Song, Gallery 44, Toronto, ON, Canada

2000 

Fascia, Galerie Trois Points, Montreal, QC, Canada

Too Many Stones, Art Gallery of Ontario, Sales and Rental, Toronto, ON, Canada

1999 

Fascia, Paul Petro Contemporary Art, Toronto, ON, Canada

Re-Reading Recovery and Works in the Collection, Macdonald Stewart Art Centre, Guelph, ON, Canada

1997 

A Point of Reference, Canadian Museum of Contemporary Photography retrospective tour, Glenbow Art Gallery, Calgary, AB, Canada (touring exhibition) 

Re-Reading Recovery, Mois de la Photo, Montreal, QC, Canada

Suzy Lake: Too Many Stones, Mount St. Vincent University Gallery,Halifax, NS, Canada

Chrysalis, CONTACT, Paul Petro Contemporary Art, Toronto, ON, Canada 

1996

A Point of Reference, Canadian Museum of Contemporary Photography retrospective tour, Ottawa, ON, Canada; London Regional Art Gallery, London,ON, Canada (touring exhibition) 

Too Many Stones, Woodstock Regional Art Gallery, Woodstock, ON,Canada 

1995

Authority is an Attribute... part 2, Art Gallery of Peterborough, Peterborough,ON, Canada (touring exhibition) 1994 

Desire and the Landscape, Emma Ciotti Gallery, Iroquois Falls, ON,Canada

1993   

A Point of Reference, Canadian Museum of Contemporary Photography, Surrey Art Gallery, North Vancouver, BC, Canada (touring exhibition) 

1992 

Authority is an Attribute... part 2, TPW Gallery; Toronto, ON, Canada;W.K.P. Kennedy Gallery, North Bay, ON, Canada (touring exhibition)

1991   

Authority is an Attribute... part 2, Macdonald Stewart Art Centre,Guelph, ON, Canada (touring exhibition)

1989 Referencing the Ideal, (Mois de la Photo), Galerie Daniel; Montreal, QC, Canada 

Referencing the Ideal, Sable Castelli Gallery; Toronto, ON, Canada (touring exhibition)

1986 

Confrontation: the Shadow or the Wall, Galerie John Schweitzer,Montreal, QC, Canada (touring exhibition) 

Authority is an Attribute… part I, Sable Castelli Gallery, Toronto,ON, Canada (touring exhibition) 

1985

Confrontation: the Shadow or the Wall, Embassy Cultural House,London, ON, Canada (touring exhibition)

1984 

Confrontation: the Shadow or the Wall, Niagara Artist Inc., St.Catherines, ON, Canada; Sable Castelli Gallery, Toronto, ON, Canada (touring exhibition) 

1983 

Pre-Resolution: Using the Ordinances at Hand, Sable Castelli Gallery,Toronto, ON, Canada 

Bridge installation, site work festival at the Royal BotanicalGardens, Burlington, ON, Canada

1982   

Locations and Sites, Art Gallery of Hamilton, Hamilton, ON, Canada 

Wan/Lake, Sub Art Gallery, Edmonton, AB; Alberta College of Art,Calgary, AB and Southern Alberta Art Gallery, Lethbridge, AB, Canada (touring exhibition)

1981 

Locations and Sites, Sable Castelli Gallery, Toronto, ON, Canada

Are You Talking to Me?, The Station Gallery, Whitby, ON and Whitewater Gallery, North Bay, ON, Canada (touring exhibition)

Transformations, Kingston Artist Association, Kingston, ON, Canada

1980   
Are You Talking to Me…? Mendel Art Gallery, Saskatoon, SK, Canada (touring exhibition)

ImPositions, Mohawk Gallery, Hamilton, ON, Canada

1979 

Are You Talking to Me…? Sable Castelli Gallery, Toronto, ON, Canada (touring exhibition) Optica Gallery, Montreal, QC, Canada

1978 

ImPositions, Art Gallery of Ontario, Toronto, ON, Canada

Transformations, Sable Castelli Gallery, Toronto, ON, Canada

Transformation maquettes, Image Co-Op, Burlington, Vermont, USA

1977 

Choreographed Puppets, Optica Gallery, Montreal, QC

1976 

The Workshop, Montreal, QC, Canada

C.E.A.C, Toronto, ON, Canada

1974 

Galerie Giles Gheerbant, Montreal, QC, Canada

Selected Group Exhibitions

2015

Woman’s Art 1978 Response, Museum Wspolczesne, Wroclaw, Poland  

Techniques of Release, Galeria Fotografii pf, Centrum Kultury Zamek, Poznan, Poland 

2013 

A Bigger Splash: Painting after Performance Art, Tate Modern, London,UK 

Traffic: Conceptual Art in Canada 1965-1980, Badischer Kunstverein,Karlssruhe, Germany (touring exhibition, catalogue) 

Flowers and Photography, curated by Carla Garnet, Art Gallery of Peterborough, Peterborough, ON; The McMaster Museum of Art, Hamilton, ON, Canada (touring, catalogue)

Skin Trade, PPOW Gallery, New York City, NY, USA 

2012

Wish You Were Here: The Buffalo Avant-garde in the 1970s, Albright-Knox Art Gallery, Buffalo, New York, USA (catalogue)

Traffic: Conceptual Art in Canada 1965-1980, Vancouver Art Gallery,Vancouver, BC, Canada

Commercial Psycho, curated by Will Benedict, Andrew Kreps Gallery, New York, NY, USA

Flowers and Photography, Art Gallery of Peterborough, Peterborough,ON, Canada; Stratford Art Gallery, Stratford, ON, Canada

Scene of Selves, Occasions for Ruses, curated by Jordan Strom,Surry Art Gallery, BC, Canada

Body/Objects: Works by 10 Photographers, Carl Solway Gallery,Cincinnati, OH, USA

Some Things Last A Long Time, curated by Matthew Ryan Smith,McIntosh Gallery, Western University, London, ON, Canada

Man Up! No Balls About It,juried by Suzy Lake, Duderstadt Center,University of Michigan, Ann Arbor, MI, USA 

Who’s Paying You?, Galerie Donald Browne, Montreal, QC, Canada 

Spotlight on 40: Artworks from the Canada Council Art Bank, (Suzy Lake as Bill Vazan, representing 1974) Art Bank, Ottawa, ON, Canada

The Embassy Cultural House, 1983 to 1990, curated by Robert McKaskell,Museum London, London, ON, Canada

Every Line & Every Other Line, Platform Centre for Photographic andDigital Arts; Winnipeg, MB, Canada; aka gallery, Saskatoon, SK, Canada

Gallery Selection, Carl Solway Gallery, Cincinnati, Ohio, USA 

2011 

Celebrity Still Lives, Living Arts Centre; Mississauga, ON, Canada

Genie Zonder Talent/Genius Without Talent, de Appel Art Centre,Amsterdam, The Netherlands

Archi-feministes!, Optica Gallery, Montreal, QC, Canada

Traffic: Conceptual Art in Canada 1965-1980, Halifax University and Public Galleries, Halifax, NS, Canada; Art Gallery of Alberta, Edmonton, AB,Canada; Leonard and Bina Ellen Art Gallery, Montreal, QC, Canada (touring exhibition)

2010   

Works From the Sammlung Verbund, Galleria Nazionale d’Arte Moderna, Rome, Italy 

At Her Age, A.I.R. Gallery, New York City, NY, USA 

UN-home-Ly, Oakville Galleries, Oakville, ON, Canada 

Photo Environment, Frank Doyle Arts Pavilion, Orange Coast College, Costa  Mesa, California, USA 

Traffic: Conceptual Art in Canada 1965-1980, Justina Barnicke Gallery, Hart House, University of Toronto, Toronto, ON, Canada;  (tour) Acts of Presence, Musee d’Art Contemporain, Montreal, QC, Canada; 28th Festival International du Film Sur l’Art, Montreal, QC, Canada

2009

She Works Hard, Winnipeg Art Gallery, Winnipeg, MB, Canada 

Working Images, Dazibao Gallery, Montreal, QC, Canada 

Preoccupations: Photographic Explorations of the Grey Nuns Mother House,(commissioned work) Concordia University, Montreal, QC, Canada 

Beautiful Fictions, Art Gallery of Ontario, Toronto, ON, Canada

2008 

Held Together with Water, Art from the Sammlung Verbund, Istanbul Modern Museum, Istanbul, Turkey

Hands, Solway Jones Gallery, Los Angeles, California, USA

Click Chicks, Dallas Contemporary Art Center, Dallas, Texas, USA

Photography 101, Confederation Art Gallery, Charlottetown, PEI, Canada

If You Go Out in the Woods Today, Paul Petro Contemporary Art at theGladstone,Toronto, ON, Canada

20 Year Anniversary, Galerie Trois Points, Montreal, QC, Canada

Apropos, Edward Day Gallery, Toronto, ON, Canada

The Big Gift, Glenbow Museum, Nickle Arts Museum, Illingworth KerrGallery, Calgary, AB, Canada

Bill Jones and Suzy Lake: Suzy Lake as Patty Hearst, Paul PetroContemporary Art, Toronto, ON, Canada

WACK! Art and Feminist Revolution 1965 – 1980, P.S.1, Queens, New York, USA; Vancouver Art Gallery, Vancouver, BC, Canada; Los Angeles Museum of Contemporary Art/Geffen Contemporary, Los Angeles, California, USA; National Museum of Women in Art, Washington, DC (touring exhibition, catalogue)

2007 
Identity Theft: Eleanor Antin, Lynn Hershman and Suzy Lake, Santa MonicaMuseum of Art, Santa Monica, California, USA (catalogue)

I.D., Art Gallery of Hamilton, Hamilton, ON, Canada 

Patience, Photographers Network Gallery, Siegen, Germany

2006 
Faking Death: Canadian Photography and the Canadian Imagination, JackShainman Gallery, New York City, New York, USA

Natural Selection Donald Baechler, Jane Buyers, Jim dine, Suzy Lake

Paul Morrison and Cy Twombly, Paul Petro Contemporary Art, Toronto, ON,Canada

2005 

Body Unbound: Works from the Collection, Macdonald Stewart Art Centre, Guelph, ON, Canada

2004

Suzy Lake (Peonies and the Lido) and Marilyn Schecter (Assemblages), Community Arts Gallery, Wayne State University, Detroit, Michigan, USA

Stunning: Catherine Heard, Suzy Lake, Jane Martin, Rodman Hall, St.Catharines, ON, Canada

A.A. Bronson and Suzy Lake, Open Studio Gallery, Toronto, ON, Canada

Identities: Canadian Portraits, McMichael Canadian Art Collection, Kleinburg, ON, Canada

Lecture Notes, Mount Saint Vincent University Art Gallery, Halifax, NS,Canada

Performance and Photography: Point and Shoot, Dazibao Gallery, Montreal,QC, Canada

Dislocation, Lee Ka-Sing Gallery, Toronto, ON, Canada and Fringe Club, Hong Kong, China (touring exhibition)

2003

Portrait of the Artist as (…), Blackwood Art Gallery, Mississauga, ON,Canada

L’Ecolee des Femmes: 50 Artistes Candiennes au Musée, Musée d’artde Joliette, Joliette, QC, Canada

2002

Fade: Tannis Neilsen and Suzy Lake, VMAC Gallery, Toronto, ON, Canada

Guelph 2002, Macdonald Stewart Art Centre, Guelph, ON, Canada

Cabaret Escape, MacKenzie Art Gallery, Regina, SK, Canada

2001 

Constructed Identities: Ed Burtynsky and Suzy Lake, Burlington ArtCentre, Burlington, ON, Canada

Video Primer: The Medium, Art Gallery of Ontario, Toronto, ON, Canada

Breakfast of Champeens, Paul Petro Contemporary Art, Toronto, ON, Canada

The Power of Reflection, Liane and Danny Taran Gallery, Montreal, QC,Canada

Storyboard, London Regional Art Museum, London, ON, Canada

Head Frame, Campo Santa Marina, Venice, Italy

2000 

Thick-Skinned, Gallery 44, Toronto, ON, Canada

Vernissage, Galerie Trois Points, Montreal, QC, Canada

Intersections Montreal/Toronto, Place Ville Marie, Montreal, QC and Toronto, ON, Canada (touring exhibition)

Passion et Tourment: La Collection Luc LaRochelle, Musée des BeauxArts de Sherbrooke, Sherbrooke, QC, Canada

Fifteen Minutes, Mississauga Art Centre, Mississauga, ON, Canada

1999 

On Movement, Art Gallery of Hamilton, Hamilton, ON, Canada

Delics, Art et Societé: Le Québec des Années 60 et 70, Musée d’Art Contemporain, Montreal, QC, Canada

1998

True North: The Landscape Tradition in Contemporary Canadian Art,Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan

Wonderland, Paul Petro Contemporary Art, Toronto, ON, Canada

1997

The Body in the Lens, Montreal Museum of Fine Arts, Montreal, QC, Canada

1996 

Sheila Butler and Suzy Lake, Paul Petro Contemporary Art, Toronto, ON, Canada

Suzy Lake and Martha Wilson: Deflecting the Blind Spot, AGYU, Downsview, ON, Canada

Love Gasoline, Mercer Union, Toronto, ON, Canada

1995

Michelle Gaye and Suzy Lake, Open Studio, Toronto, ON, Canada

76 John Street, Paul Petro Contemporary Art, Toronto, ON, Canada Repetition, Galerie Christiane Chassay, Montreal, QC, Canada

1994 

Looking Back 1981 – 1985, Southern Alberta Art Gallery, Lethbridge, AB, Canada

Distinguishing Features: Video in Guelph 1976 – 1991, Video Verite, Saskatoon, SK, Canada

The Intimate Stranger, MacLaren Art Centre, Barrie, ON, Canada 

Corpus, Oakville Galleries, Oakville, ON, Canada (touring exhibition)

Legs Rene Payant, Centre National d’Exposition, Jonquiere, QC,Canada;  Musee Regional de la Cote-Nord, Sept-Iles, QC, Canada (touring exhibition) 

1993

Legs Rene Payant, Galerie d'art de Universite de Moncton, Moncton, NB,Canada; Musee du Bas-St. Laurent, Riviere-du-Loop, QC, Canada; W.K.P. Kennedy Gallery, North Bay, ON, Canada; Galerie d'art du Centre Culturel deDrummondville, Drummondville, QC, Canada (touring exhibition)

Corpus, Mendel Art Gallery, Saskatoon, SK, Canada and Walter Phillips Gallery, Banff, AB, Canada (touring exhibition)

Chairs, Macdonald Stewart Art Centre, Guelph, ON, Canada

Practice and Pedagogy, London Regional and Mackintosh Galleries, London,ON, Canada

The Intimate Stranger, Stratford Art Gallery, Stratford, ON, Canada

Community Linkages Video Project, Ed Video Gallery, Guelph, ON, Canada

A Crowd of One, Hamilton Art Gallery, Hamilton, ON, Canada

1992

Beau, Canadian Museum of Contemporary Photography, Ottawa, ON, Canada 

Two-Row Wampum, Niagara Artist Inc., St. Catherines, ON, Canada 

Faculty Favourites Exhibition, University of Calgary, Calgary, AB, Canada; Universityof Guelph, Guelph, ON, Canada (touring exhibition) 

La Collection- Tableau Inaugural, Musee d'Art Contemporain, Montreal, QC, Canada 

Legs Rene Payant, Galerie d'art du College Edouard Monpetit; Montreal, QC,Canada (touring exhibition) 

1991 

Musee d’Art Contemporain, Montreal, QC, Canada

1990

Workscene Gallery, Toronto, ON, Canada

Vancouver Art Gallery, Vancouver, BC, Canada

Figures d'Accumulation, Maison de la Culture la Petite Patrie, Montreal,QC, Canada; Dorval Cultural Centre, Dorval, QC, Canada (touring exhibition)

1989

Labatt Collection, London Regional Art Gallery, London, ON, Canada

Figures d'Accumulation, Musee d'Art Contemporain, Montreal, QC, Canada;Stewart Hall, Pointe Claire, QC, Canada; Maison de la Culture Notre-Dame-de-Grace, Montreal, QC, Canada; Centre Communication et Culturel Henri-Lemieux, LaSalle, QC, Canada; Maison de la Culture Marie-Ugay, Montreal, QC, Canada (touring exhibition) 

1988 

The Photograph as a Vulgar Document, Optica Gallery, Montreal, QC,Canada

1987

Glenhyrst Gallery, Brantford, ON, Canada

Cambridge Public Library Art Gallery, Cambridge, ON, Canada

Algoma Art Gallery, Sault Ste. Marie, ON, Canada

Gallery 101, Ottawa, ON, Canada

1986

Vintage Video, Arc Gallery, Toronto, ON, Canada

Sorel Cohen and Suzy Lake, Sir Sanford Fleming College Gallery,Peterborough, ON, Canada; Thunder Bay Art Gallery, Thunder Bay, ON, Canada; Paul Petro Canada Exhibition Gallery, Calgary, AB, Canada (touring)

1985

Ontario College of Art Faculty Show, Gallery 76, Toronto, ON, Canada

Concordia M.F.A. Alumni Exhibition, Concordia University, Montreal, QC, Canada 

University of Guelph Faculty Exhibition, Macdonald Stewart Art Centre,Guelph, ON, Canada

Les Vingt Ans du Musee a Travers sa Collection, Musee d’Art Contemporain, Montreal, QC, Canada

1984 

Sorel Cohen and Suzy Lake, Leaf Rapids National Exhibition Centre,Leaf Rapids, MB, Canada (touring exhibition)

1983  

Erindale College, Mississauga, ON

The Love Canal Project, Photo Union, Hamilton, ON, Canada

Photographic Sequences, Art Gallery of Peterborough, Peterborough, ON,Canada

Mercerama, Mercer Union, Toronto, ON, Canada

1982

Sorel Cohen and Suzy Lake, Musee du Madawaska, Edmonton, AB, Canada;Artcite, Windsor, ON, Canada

1981 

Universite de Moncton Galerie d’Art, Moncton, NB, Canada

Open Space Gallery, Victoria, BC, Canada

Viewpoint 29 x 9, Art Gallery of Hamilton, Hamilton, ON, Canada 

1980

Annual Dalhousie Drawing Exhibition, Dalhousie University Art Gallery,Halifax, NS, Canada

Eye of the Beholder, Toronto Photographers Co-Op, Harbourfront Centre,Toronto, ON, Canada

Musee d’Art Contemporain, Montreal, QC, Canada

1979   

Artspace, Peterborough, ON, Canada

National Film Board Gallery, Ottawa, ON, Canada

Winnipeg Perspectives, Winnipeg Art Gallery, Winnipeg, MB, Canada

20 x 20; Italia-Canada II, Galeria Blu, Milan, Italy and Factory 77,Toronto, ON, Canada (touring exhibition)

1978 

For Suzy Lake, Chris Knudsen and Robert Walker, Vancouver Art Gallery,Vancouver, BC, Canada; Sable Castelli Gallery, Toronto, ON, Canada

International Triennial of Drawing Invitational, Lodz Museum, Wroclaw, Poland

03 23 03 Art and Performance Festival, Montreal Museum of Fine Art, Montreal, QC, Canada

Fleeting Gestures, International Center of Photography, New York City, New York, USA

New Tendencies, Musee d’Art Contemporain, Montreal, QC, Canada

Four Women Photographers, Wroclaw, Poland

1977

Magma, Museo Castelvecchio, Verona, Italy

Rope Trick, National Film Board Stills Division, Ottawa, ON, Canada

London Regional Art Gallery, London, ON

Bologna Art Fair, Galerie Gilles Gheerbrant, Bologna, Italy

Galerie Gilles Gheerbrant, Montreal, QC, Canada

Transparent Things, Canada Council Art bank, Vancouver Art Gallery,Vancouver, BC, Canada; London Regional Art Gallery, London, ON, Canada; Alberta College of Art, Calgary, AB, Canada; Art Gallery of Greater Victoria, Victoria,BC, Canada; Dalhousie Art Gallery, Halifax, NS, Canada (touring exhibition)

1976

Indentite/Identifications, Centre des Arts Plastiques Contemporains, Bordeaux, France

Forum 76, Montreal Museum of Fine Arts, Montreal, QC, Canada

Foto and Idea, Galeria Communale d’Arte Moderna, Parma, Italy

Galerie Gilles Gheerbrant, Montreal, QC, Canada

Cent onze dessins du Quebec, Musee d’Art Contemporain, Montreal, QC,Canada 

Art in Transit, Agnes Etherington Art Gallery, Kingston, ON,Canada; Kitchener-Waterloo Art Gallery, Kitchener, ON, Canada; Centre Culturelle Canadienne, Paris, France; and Simon Fraser University, Burnaby, BC, Canada (touring exhibition)

1975 

Photographic Sequences, Hallwalls Gallery, Buffalo, New York, USA

Young Contemporaries, London Regional Art Gallery, London, ON, Canada

The Female Eye, National Film Board Gallery, Ottawa, ON,Canada 

Espace Carden, Paris, France

C.A.Y.C., Buenos Aires, Argentina

Galerie Gilles Gheerbrant, Montreal, QC, Canada

Quebec 75, Musee d’Art Contemporain, Montreal, QC, Canada

Palais de Beaux Arts, Brussels, Belgium

1974

Peripheries, Musee d’Art Contemporain, Montreal, QC, Canada

Basel Art Fair, Basel, Switzerland

Quebec 74, Palazzo del Permanente, Milan, Italy, and Musee d’Art Contemporain de Montreal, Montreal, QC, Canada (touring exhibition)

Camerart, Optica Gallery, Montreal, QC, Canada

Galerie Gilles Gheerbrant, Montreal, QC, Canada

Video Impact, Galerie Impact, Geneva, Switzerland

9 out of 10, A Survey of Contemporary Canadian Artists, The Art Gallery of Hamilton, Hamilton, ON, Canada

Musee d’Art Moderne de la Ville de Paris, Paris, France

Centre Culturelle Canadienne, Paris, France 

1973

Allan Bealy and Suzy Lake, Vehicule Art Inc., Montreal, QC, Canada

Montreal Museum of Fine Arts, Montreal, QC, Canada

Powerhouse Gallery, Montreal, QC, Canada

W.O.R.K.S. Conceptographic Reading, Calgary, AB, Canada

Drawing Show, Vehicule Art Inc., Montreal, QC, Canada

1972

McGill University Art Gallery, Montreal, QC, Canada

Terre des Hommes, Montreal, QC, Canada

Europhaus Print Exhibition, Vienna, Austria

Vehicule Art Inaugural Exhbition, Galerie Vehicule Art Inc., Montreal, QC, Canada

Performances

1998 

Spice Girls at the Rivoli, YYZ benefit performance at the Rivoli,Toronto, ON, Canada

1988 

It Was a Classic Detroit-Style Robbery, (un-mounted)

1987

The 1812 Overture – An Ongoing Saga (un-mounted), collaborationwith choreographer Gail Benn

1986

Missed Liberty, A Space Gallery at the Rivoli, Toronto, ON, Canada and Managua, Nicaragua

Dane to Life, collaboration with choreographer Gail Benn, Pavlychenko Dance Studios, Toronto, ON and Calgary tour

1985

Pickering Nuclear Power Plant, Ontario College of Art, and Steel Worker’s Union Hall, Toronto, ON, Canada

1978

Choreography With Myself, 03 23 03 Performance Festival, Montreal Museumof Fine Art, Montreal, QC, Canada

1977

Clouds of Magellan, collaboration with composer Ted Dawson, Powerhouse Gallery, and Pollack Hall, McGill University, Montreal, QC, Canada and Array Music tour

1975 

A Natural Way to Draw, Vehicule Art Inc, Montreal, QC, and KensingtonArt Association, at C.E.A.C., Toronto, ON, Canada

1974

Suzy Lake as … on site camera performances

1972

Behavioral Prints, the artist’s studio, Montreal, QC, Canada

1971 - 73

Annual Feast Event, the artist’s studio, Montreal, QC, Canada

1970

Bisecting Space, the artist’s studio, Montreal, QC, Canada

Selected Publications

2015

Suzy Lake: Performing an Archive; edited by edited by France Choiniere. London, UK: Dazibao. 

Introducing Suzy Lake; edited by Georgiana Uhlyarik. London, UK: Black Dog Publishing.  

2013

Drone: The Automated Image; Le Mois de a Montréal; edited by Paul Wombell. Bielefeld, Germany: Kerber Verlag. (colour reproduction)

2012  

Traffic: Conceptual Art in Canada 1965-1980; edited by Grant Arnold andKaren Henry. Published by Art Gallery of Alberta, Halifax Ink, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Art Gallery (Concordia University), and Vancouver Art Gallery, Vancouver, BC

Cindy Sherman; Essay by Eva Respini. New York, NY: The Museum of ModernArt, pp. 16-17 (reproduction)

Wish You Were Here: The Buffalo Avant-garde in the 1970s; by Heather Pesanti. Buffalo, NY: Albright-Knox Art Gallery, p. 72 (reproductions)

Some Things Last A Long Time, by Matthew Ryan Smith, London, ON: McIntosh Gallery (reproduction)

2011

Suzy Lake: Political Poetics; Essays by Matthew Brower, Carla Garnet and Dot Tuer. Toronto, ON: University of Toronto Art Centre and Scotiabank Contact Photography Festival

2010

The Visual Arts in Canada; the Twentieth Century; edited by Anne Whitelaw. Brian Foss and Sandra Paikowsky, Oxford: Oxford University Press 

The Donovan Collection, Toronto, ON, Canada: University of St. Michael’s College, University of Toronto

2009

The Pictures Generation, New York, New York, USA: Metropolitan Museum of Art 

2008

Held Together With Water, Vienna, Austria: Sammlung Verbund 

Photography 101, essay by Ihor Holubizky, Charlottetown: PEI, Canada:Confederation Art Gallery 

WACK! Art and the Feminist Revolution 1965-1980, exhibition catalogue; ed. by Cornelia Butler and Lisa Gabrielle Mark, co-publisher by MIT Press and Los Angeles Museum of Contemporary Art/Geffen Contemporary

Identity Theft, essay by Jori Finkel, Santa Monica, California:Santa Monica Museum of Art 

2006

Suzy Lake: Concealment/Revealment, essay by John Massier, Buffalo, New York, USA: Hallwalls Contemporary Arts Center 

Radical Gestures: Feminist Performance Art in the US and Canada, 1970’s toc.2000, by Jayne Wark, Montreal, QC and Kingston, ON, Canada: McGill-QueensUniversity Press, ISBN 0-7735-2956 

Carte Blanche, a compendium of Canadian photography, MaryAnne Camillari ed, Toronto, ON, Canada: Magenta Ltd. 

2005 

L’Ete Photographique de Lectoure, Lectoure, France: Centre de Photographie 

2004  

Portraits in Contemporary Photography, by Andre Gilbert, Montreal, QC,Canada: J’ai VU publications 

Caught in the Act: An Anthology of Performance Art By Canadian Women, byJohanna Householder and Tanya Mars, Toronto, ON:  YYZ Books

The Unseen Cindy Sherman: Early Transformations 1975-1996, curator Gail Stavitsky, Montclair, New Jersey, USA: Montclair Art Museum 

Attitudes et ComportementsSuzy Lake, curator Jocelyn Fortin, Rimouski, QC, Canada: Musee Regional de Rimouski (exhibition 2002/catalogue launched 2004) 

Lecture Notes, Ingrid Jenkner, Halifax, NS, Canada: Mount Saint Vincent University Art Gallery 

Point & Shoot: Performance and Photography, France Chouiniereand Michele Theriault eds. Montreal, QC, Canada: Dazibao Books 

2003

Faking Death: Canadian Art Photography since 1955, by Penny Cousineau-Levine, Montreal, QC, Canada: McGill/ Queen’s University Press 

Modern Drama, Ric Knowles, Toronto, ON, Canada: University of Toronto Press 

Ecole des Femmes; 50 Artistes Canadiennes au Musee, Joliette, QC,Canada: Musee d’art de Joliette 

2000

Tessera Magazine (feminist journal), Canada, Fall 2000 

Passion et Tourment: La Collection Luc LaRochelle, Sherbrooke, QC,Canada: Musee des Beaux Arts de Sherbrooke 

1999

Canadian Art in the Twentieth Century, “Alternate Practice”, byJoan Murray, Toronto, ON, Canada: Dundurn Press 
Re-Figuring Wilderness: Journal of Canadian Studies, “Authority is an Attribute…Revisited”, vol 33, no.2 Trent University, Peterborough, ON 

1995–04 

Who's Who of Canadian Women; Kim Kofmel editor, Who's Who pub, Toronto, ON 

1994 
"The Mirrored Body" by William Ewing in The Body, London, England:  Thames and Hudson 

La Collection Lavalin, Montreal, QC, Canada:  Musee d’Art Contemporain 

1993

Textual Studies in Canada 2, “Authority is an Attribute: An Interview with Suzy Lake”, p 68-84 

Reading Our World, the Guelph Anthology; third printing, Guelph, ON,Canada: University of Guelph 

Point of Reference, Ottawa, ON, Canada: Canadian Museum of Contemporary Photography 

The Intimate Stranger by Carolyn Bell-Farrell, Stratford, ON,Canada: Stratford Art Gallery 

Community Linkages, by Karen Knight, Guelph, ON, Canada: Ed Video Gallery 

1992

Beau: A Reflection on the Nature of Beauty on Photography, by Martha Langford, Ottawa, ON, Canada: Canadian Museum of Contemporary Photography 

La Collection- Tableau Inaugural, Montreal, QC, Canada: Musee d'Art Contemporain 

Reading Our World, the Guelph Anthology; second printing, coverreproduction; University of Guelph English Department, Guelph. ON  

1991

Performance in Canada 1970-1990, A. Richard & C. Robertson eds.Toronto, ON, Canada: Coach House Press and Quebec, QC, Canada: EditionsIntervention (co-publishers) 

Thirteen Essays on Photography, Gail Fischer-Taylor ed, “At the Epicentre” by Gail Fisher-Taylor, pp. 144-160, Ottawa, ON, Canada: Canadian Museum of Contemporary Photography “The Manipulated Photograph”, by Denis Lessard, pp. 79-83 Authority is an Attribute…part 2, by Ingrid Jenkner, essays by Gerta Moray, Mary LaRonde and David Kilgour, Guelph, ON, Canada: Macdonald Stewart Art Centre 

Exhibitions and Collections, Hamilton, ON, Canada: Art Gallery of Hamilton, 89 

1990

Reading Our World, the Guelph Anthology; C. Rooke, R. Hulan & L.Warey, cover reproduction 

Permanent Collection, London, ON, Canada:  London Regional Art Museum 

Propos d’Art Contemporain: Figures d’Accumulation, Michel Huard, Montreal, QC, Canada: Musee d’Art Contemporain de Montreal 

1989 

Une Histoire de Collections: 1984-1989, Paulette Gagnon, Montreal, QC, Canada: Musee d’Art Contemporain de Montreal

Suzy Lake: Mis-proportioned Referencing, Montreal, QC, Canada: Le Moisde La Photo 

The Labatt Collection, London, ON, Canada: London Regional Art Gallery 

1988 

Contemporary Photographers, Colin Naylor, editor, “Suzy Lake” by KarynAllen Keenan, second printing, pp. 574-576, Chicago and London: St. James Press 

1987 

From Sea to Shining Sea: Artist Initiated Activity in Canada, 1939-1987, AA Bronson, Rene Blouin, Peggy Gayle and Glenn Lewis editors, Toronto, ON, Canada: The Power Plant 

Les Vingt Ans du Musee a Travers sa Collection by France Gascon, (for 1985 exhibit), Montreal, QC, Canada: Musee d’Art Contemporain 

The Forgotten Gesture by Pierre Landry, Montreal, QC, Canada: Museed’Art Contemporain 

1986

Vintage Video, essay by Renee Baert, Toronto, ON, Canada: ARCGallery 

1985

Celebrating 20 Years, Department of Fine Art Faculty 1965-1985, Guelph,ON, Canada: Macdonald Stewart Art Centre 

1984

Encyclopedia of Photography, International Center of Photography, New York: Crow Publishers 

Contemporary Canadian Photography From the National Film Board, National Film Board of Canada, Edmonton, AB, Canada: Hurtig Publishers Ltd 

1983

Contemporary Canadian Art by David Burnett and Marilyn Schiff, Hurtig Publishers Ltd, Edmonton AB

Visions: Contemporary Art in Canada, Robert Springhurst, Geoffrey James, Russell Keziere and  Doris Shadbolt, editors, “Rethinking the Art Object” by Diana Nemiroff, Vancouver: Douglas and MacIntyre, 193-229. 

“It is Not a Trend: It is an Inevitability” by Lynn Cummings, comp., ed.,Ottawa, ON, Canada: National Gallery of Canada 

Photographic Sequences, Jann Baily, Peterborough, ON, Canada: Art Gallery of Peterborough 

1982 

Contemporary Photographers, George Walsh, Colin Naylor, & MichaelHeld, Editors, “Suzy Lake” by Karyn Allen, New York, New York, USA: MacMillanPress, St. Martn’s Press, 429-430 

Suzy Lake: Locations and Sites, Hamilton, ON, Canada: Art Gallery of Hamilton 

Wan/Lake, essays by Diana Nemiroff and Chantal Pontbriand, Edmonton, AB, Canada: Sub Art Gallery 

Video du Quebec, Andree Duchaine, Montreal, QC, Canada: Ministere des Affaires Culturelles 

Artists With Their Work, Toronto, ON, Canada: Art Gallery of Toronto Extension Program

1981

A Culinary Palette: Masterpieces from Sixty-five Great Artists, Joan Mackie, Toronto, ON, Canada: Merritt Publishers 

ViewpointTwenty-nine by Nine, introduction by Glen E.Cumming, Hamilton, ON, Canada: Art Gallery of Hamilton

1980

Suzy Lake: Are You Talking to Me? essay by Bruce Ferguson,Saskatoon, SK, Canada: Mendel Art Gallery 

The Eye of the Beholder, Toronto, ON, Canada: Art Gallery of Harbourfront 

The Fifth Dalhousie Drawing Exhibition, by Tim Whiten, Halifax, NS,Canada: Dalhousie University Art Gallery 

Tendances Actuelles au Quebec, Montreal, QC, Canada: Musee d’ArtContemporain de Montreal 

Sorel Cohen / Suzy Lake, Ottawa, ON, Canada: National Film Board ofCanada Still Photography Division 

1979

Canadian Perspectives, Gary Hall, Phil Bergerson and Bill Morgan, eds.,“Other Artists Using Photography” by Chris Youngs, Toronto, ON, Canada: Ryerson Polytechnical Institute, 78-90 

20 x 20 Italia / Canada II, Milan, Italy: Galeria Blu 

The Winnipeg Perspectives: Photo-Extended Dimensions, essay by KarynAllen, forward by Roger Selby, Winnipeg, MB, Canada: Winnipeg Art Gallery 

1978

Fleeting Gestures: Dance Photographs by William Ewing, New York, New York, USA: International Centre of Photography, New York City 
Annuel Skira Annual 78: Art Actual, “The Autobiographical Image”, Jean Luc Daval, Switzerland 

For Suzy Lake, Chris Knudsen and Robert Walker, “Choreographies of the Dotted Line”, by Chantal Pontbriand, Vancouver, BC, Canada: Vancouver Art Gallery

International Triennial of Drawing Invitational, Wrocaw, Poland: Lodz Museum 

ImPositions, Roald Nasgaard, Toronto, ON, Canada: Art Gallery of Ontario 

New Tendencies, Montreal, QC, Canada: Musee d’Art Contemporain 

1977 

Magma, Rassegna Internationale di Donne Artiste, Rome, Italy: RomanaLoda, Museo Castelvecchio, Arti Grafiche

Transparent Things, the Artist’s Use of the Photograph, Geoffrey James,Ottawa, ON, Canada: Canada Council Art

03 23 03 Art and Performance Festival, Chantal Pontbriand, France Morin,and Norman Theriault, Montreal, QC, Canada: Montreal Museum of Fine Art, Mediart et Parachute

1976 

Europe / America: the Different Avant-Gardes, Achille Bonito Oliva and Cirunna Ferrai, editors, Deco Press, Milan 

From the Center: Feminist Essays on Women’s Art, by Lucy Lippard, Clarke,Irwin and Co, Indentite/Identifications, Centre des Arts Plastiques Contemporains, Bordeaux, France 

Photographic Sequences, Buffalo, New York, USA: Hallwalls Gallery, State College at Buffalo 

Forum 76, essays by Leo Rosshandler and Germain Lefebvre, Montreal, QC,Canada: Montreal Museum of Fine Arts

Photo and Idea, Giancarlo Politi, Parma, Italy: Galeria Communale d’Arte Moderna 

Cent onze dessins du Quebec, Montreal, QC, Canada: Musee d’Art Contemporain 

1975

The Female Eye, essay by Lorraine Monk, Ottawa, ON, Canada: National Film Board, Sill Photography Division, Clarke, Irwin & Co.
Photography 1975 Photographie, Ottawa, ON, Canada: National Film Board, Sill Photography Division 

A Genuine Simulation of… essay by Chantal Pontbriand,Vehicule Co-Op Press 

CAYC Video, CAYC Gallery, Buenos Aires , Argentina 

Vehicule Art: In Transit, James Warren Felter, Burnaby, BC, Canada: Simon Fraser University Art Gallery 

Young Contemporaries ’75, London, ON, Canada: London Regional Art Gallery

C.E.A.C.: Programming Activities 1975-1997, “Tra: Canada’s Avant-garde: 1970-1976”, Amerigo Marras, Toronto, ON, Canada 

Quebec 75, Normand Theriault, Montreal, QC, Canada: Musee d’Art Contemporain de Montreal 

1974 

Canadian Artists in Exhibition 1973/74, Toronto, ON, Canada: Roundstone Council for the Arts 

9 Out of 10: A Survey of Contemporary Canadian Art, Hamilton, ON, Canada: Art Gallery of Hamilton 

Body Art, Centre for Experimental Art and Communication, Toronto, ON,Canada: Kensington Art Association

Video Impact, Geneva, Switzerland: Galerie Impact 

Quebec ‘74, Montreal, QC, Canada: Musee d’Art Contemporain de Montreal 

Camerart, “Et si l’art moderne avait commence en 1839…”, essay byChantal Pontbriand, Montreal, QC, Canada: Optica Gallery 

Peripheries, essay by Chantal Pontbriand, Montreal, QC, Canada: Musee d’Art Contemporain de Montreal 

1973

W.O.R.K.S. A Conceptographic Reading of Our World Thermometer, CliveRobertson ed. Flemming Neilsen Community Antenna TV, Calgary

Selected Reviews/Interviews

2013

Sandals, Leah. “A Flight from Face to Face, in Toronto” Canadian Art, January 7. Web.
Whyte, Murray. “AGO’s Light My Fire Part 2 flickers but still burns” Toronto Star, December 4. Web.
Henry, Joseph. “Five Picks for Montreal’s Mois de la Photo” BlouinArtinfo, September 6.
Rinne, Diana. “AGGP host two new exhibits” Daily Herald Tribune, Grand Prairie, AB, Canada, June 6. 

2012 

Clarke, Bill. “A maker of change: the many identities of Suzy Lake” Canadian Art,Toronto, ON, Canada, Winter 2012/2013
Vaughan, R.M. “Let me introduce you to Suzy Lake, national treasure” Globe and Mail,Toronto, ON, Canada, April 28
Whyte, Murray. “Suzy Lake, artist: Beauty, Up Close” Torontostar.com, Toronto,ON, Canada, May 19
Sandals, Leah. “Suzy Lake: The School of Life” Canadian Art Online,Toronto, ON, Canada. Sept 6
Vaughan, R.M. “Elegies in the garden” Globe and Mail, Toronto,ON, Canada, August 11
Exit, “Artificial Beauty”, Madrid, Spain: Proyectos Utópicos, S.L. 
McElroy, Gil. “Suzy Lake at the Art Gallery of Peterborough” Akimblog, Toronto,ON, Canada, Dec 11 

2011 

Sandals, Leah. “New kind of beauty in bloom” National Post, Toronto,ON, Canada, April 29
Gillmor, Allison. “Sharp show’s commentary dark and witty” Winnipeg Free Press,Winnipeg, MB, Canada, April 23
Charron, Marie-Éve. “Microévénements du corps” Le Devoir.com, April 9 

2010 

de Pauw, Manon. “Acts of Presense”, Magazine of the Museé d’artContemporain, p 8,9 

2008 

Taylor, Kate.  “Open your eyes, there’s art around” Globe and Mail, Toronto, ON, Canada, p. R9 and R12, May 3 
Johnson, Ken.  “Striking When the Spirit Was Hot” New York Times, February 15 
Micchelli, Thomas.  “WACK! Art and the Feminist Revolution” The Brooklyn Rail, New York, New York, USA, March 11 
Drobojowska-Philip, “Identity Theft”, ARTnews, p 133, January 

2007

Myers, Holly.  “Time to analyze the roles we play” Los Angeles Times, E2, Los Angeles, California, USA, June 8
Davis, Ben.  “White Walls, Glass Ceiling” ArtNet Magazine, www.artnet.com, February 15
Bardini, Andrew.  “Wack Pack” Artforum Diary, New York, New York, USA, February 10
Valdez, Sarah. “In the Land of Make-Believe”, Art in America, p 119-121, November
Higgs, Mathew; Morgan, Jessica; Subotnik, Ali. “Best of 2007”, Artforum Magazine, p 328, 330, 336
Kellner, Thomas. “Selection 2007: Patience”, PROFIFOTO, p 17-25, June
Viegener, Matias. “Identity Theft”, X-TRA Contemporary Art Quarterly
Reckitt, Helena. “Unusual Suspects: Global Feminisms and WACK! Art and theFeminist Revolution”, n.paradoxa, UK. Vol 18, p 34-42 2006 
Smith, Roberta.  “Art in Review: Faking Death” New York Times, E37, New York, New York, USA, February 3 
Huntington, Richard.  “Canadian artist gets Hallwalls off to a stunning start,” The Buffalo News, New York, New York, USA, February 3 
Gaasche, Cynnie.  “New Walls for Hallwalls”, Art Voice, p. 13, Buffalo, New York, USA, January 12 

2005

Tong, Murray. “Whatcha Want Is a Canadian Idol” Spark Program, At Guelph, June 1 
National Post, Reproduction, F3, April 13 
Sanson, Victoria.  “Pour un voyage sur papier glace,” SudOuest, July 2005 
“L’ete photographic de Lectoure”, La Depeche, summer 2005 
Hellman, Michel. “La photographie en tant qu’outil integral”, Le Devoir, E6, April 4, 2005 

Lehmann, Henry.  “Down Through the Years”, The Gazette, W2, Montreal, QC, Canada,W2, March 17 

Delgado, Jerome. “Jouer devant la camera”, La Presse, Montreal, QC,Canada, 
“Identities: Canadian Portraits”, National Post, March 4
Rodney, Lee. “Canadian Idol Suzy Lake”, XX Women in Contemporary Artand Culture, Issue #4, Fall, p 36-40
Tong, Murray. “Watcha Want… Is a Canadian Idol”, Research Magazine, Guelph University, Vol XX No 1, Summer 2005, p 34-37
Unknown. “Agenda De L’Ete; Hors Cadre”, Le Monde 2, p 8, July23
Unknown. “Panorama des festivals photo de l’ete”, Images magazine, July/ August 
Unknown. “Lectoure L’Ete Photograhic”, Connaissance des arts, July/September 
Unknown. “Lectoure: Mixites photographiques”, Plaisirs du Gers,July 2005
Unknown. “Flash a Vu: L’ete Photographique de Lectoure”, by Catherine Huber, Flashebdo, August 4, 2005 

2004 

Vaughan, R.M. “Idol wannabes receive double exposure,” The Globe and Mail,September 18 
Dharmarajah, Thana. “No Idol speculation in reality TV”, Guelph Mercury, p. A3, June 14, 2004 
Moas, T.H. “McMichael gets hip,” Now Magazine, March 18 
Hellman, Michel.  “La photographie en tant qu’outil integral”, LeDevoir, Montreal, QC, Canada, April 4, pE6 
Lehmann, Henry.  “Down Through the Years” The Gazette, Montreal, QC, Canada, March 17, pW2 
 “Identities: Canadian portraits”, National Post, R10 Toronto,ON, Canada, March 4
Holland, Patrick. “Suzy Lake’s Cult of the Idol”, C Magazine, issue82, summer issue, p 81-82 
Sandals, Leah. “Lecture Notes”, Canadian Art, Summer 2004, p88
Crevier, Lyne. “Fiction Flottante”, Ici, p 38, March 11-17
Redfern, Christine. “Performance Theory”, Montreal Mirror, p38 March 11-17
Unknown. “McMichael Gets Hip”, Now Magazine, March 18-24 

2003

Dault, Gary Michael.  “Gallery Going,” The Globe and Mail, R10, Toronto, ON, Canada, September 21
Ghasnavi, Corinna. “What Suzy Lake Can Do That Britney Spears Can’t”, PrefixPhoto,vol 4, no 2, p 46-55 

2000   

Lehmann, Henry.  “Suzy Lake’s Slips Make an Exotic Fit”, The Gazette, p.J 12, Montreal, QC, Canada, April 8 
Hirschmann, Thomas. The Making of a Corporate Collection”, National Post, p. C5, Toronto, ON, Canada, January 15 
Ledger, Brent. “Corporate Makeover,” National Post, G 16, Toronto,ON, Canada
Hanna, Deirdre. “Suzy Lake Hits With Feminism”, Now Magazine, issue945, p 77 
Unknown. “Fall Previews”, Lola Magazine, p 52-53

1999 

MacKay, Gillian.  “Disturbing Images of Female Claustrophobia,” Globe and Mail, Toronto, ON, Canada, May 15 
Davis, Deborah.  “Stepping Back for a Second Look,” The Guelph Mercury, C1, Feb 27 
Shuttleworth, Joan.  “Stepping Back for a Second Look,” The Guelph Mercury, p. A6, Guelph, ON, Canada, March 5 
Gopnik, Blake. “Cindy Sherman,” Globe and Mail, p. C18, September 25 
Reid, Robert.  “Immersing Herself in Her Work,” Kitchener Record, A17, February 13
Davis, Deborah. “Suzy Lake: Women’s Work”, Canadian Art, vol 16 no 2, p 87
Enright, Robert. “The Memory of Skin”, Border Crossings, issue 72,p 4
Rodney, Lee. “Suzy Lak: Paul Petro Contemporary Art”, C Magazine, vol64 no 64, p 19

1997 

Lypchuk, Donna. “Soul’s Kitchen”, Toronto Life, p 108-118, November

1994 

Enright, Robert. “Researching the Self, an Interview with Suzy Lake”, BorderCrossings,January issue, vol 13 no 1, p 100 -22 (cover photo)
Walsh, Meeka. “Framed by Women: Reconstructing Art History” BorderCrossings,January issue, vol 13 no 1, p 3

1993 

Laurence, Robin.  "Everyday Theatre of the Feminine,” The Vancouver Sun, p. D7, Vancouver, BC, Canada, December 18 
Warren, Carl. "Lake Comes to Town", The Enterprise, p. 3, Iroquois Falls, ON, August 10 
"New Exhibitions open at Macdonald Stewart", The Guelph Tribune, p. 12, January 5 
Beale, Nancy.  “The Power of Photography” The Ottawa Citizen,Ottawa, ON, Canada 
“Expression: Point de Repere Suzy Lake”, Le Droit, Ottawa, ON,Canada 
“Une Exposition de Musee d’art Contemorain de Montreal a la Galerie du Centre Culturel”, Express de Drummondville, p. 17, October 24
Enright, Robert. “Corpus”, Canadian Art, fall issue p 81-82
Findlay, Len. “Rumours of Our Breath”, Border Crossings, summer issue, p 50

1992

Tousley, Nancy. “Art in Review,” Calgary Herald, Calgary, AB,Canada 
Balfour Bowen, Lisa.  “Our Choice,” Toronto Sun, p. 16,Toronto, ON, Canada November. 8 
Bonenfant, Mary “Temagami Blockade Aftermath Focus of Kennedy Gallery Show,” North Bay Nugget, p. C7, North Bay, ON, Canada, March 6 
Smith, Marji. “Photo Show Timely,” The North Bay Nugget, p.B2,March 12 
Fullerton, Kim. “From Inside Temagami and Chile” Parallelogram, vol18 no 2
Jenker, Ingrid. “Radical Constructions”, Border Crossings, fallissue, p 79-80
Unknown. “Toronto at a Glance”, Now Magazine, Oct 15, p 63
Unknown/ “Authority is an Attribute: An Interview with Suzy Lake,” Textual Studies in Canada, University of Cariboo, Kamloops, BC
Turner, Steve.  “Cautioned Homes and Gardens,” The Masinahigan,p.1, Temagami, ON, Canada, March 17 

1991

Grey, Kathe.  “Political Forum Opens Show,” At Guelph, p. 3, Guelph  ON, Canada, October 23
Nelson, Carl.  “Sounding Pole Makes Sense s Natives Look for Thin Ice,” Guelph Mercury, p.3A, Guelph, ON, Canada, November 4 
Turner, Steve.  “Suzy Lake Puts Spotlight on T.A.A.,” The Masinahigan, p.1 Temagami, ON, Canada, December 17
Benedetti, Paul.  “ The Art of Change: Women Artists Seek Equality in the 90s,”Hamilton Spectator, Hamilton, ON, Canada, May 2
Jones, Bill. “Free Trade”, Arts Magazine, February vol 65 no 6, p 37-43
Grey, Kathe. “The Turmoil of Temagami”. Research Magazine, University of Guelph, spring/summer issue, 25

1989

Blancher, Arlette. “Suzy Lake”, ETC Montreal 10, winter vol 47

1988

Gravel, Claire. “Suzy Lake et la trahison des images,” Le Devoir, p13, Montreal, QC, Canada, September 15 
LePage, Jocelyn. “De la photo, miur a mur,” La Presse, Montreal, QC, Canada, September 10 

1987 

Simone, Rose.  “Words are Part of Visual Works,” Brantford Expositor, Brantford, ON, Canada, August 15 
“Sorel Cohen / Suzy Lake”, Kitchner-Waterloo Record,Kitchener-Waterloo, ON, Canada, April 20
Buchanan, Hamish; Fromer, Lorne; Hall, Gary. “Looking Back Ten Years”, Views vol 4 no 4, November 2-3 
Langford, Martha. “Women in the Museum Community”, Muse, fall issue, p 63-64

1986

Crabb, Michael.  “PavlychenkoTroupe Stages a Feast of Fantasy” Toronto Star, Toronto, ON, Canada, March 31 
Danault, Gilles.  “Sur les cimaises: Suzy Lake,” Le Devoir, Montreal, QC, Canada, February 15 
“Photo Exhibit at College,” Peterborough Examiner, Peterborough, ON, Canada, January 29 
Tousley, Nancy. “Exhibit Looks Back at Concerns of Artists in ’70’s,” Calgary Herald, p. E7, Calgary, AB, Canada, May 30
Leger, Danielle. “Suzy Lake: Galerie John A. Schweitzer” VanguardMagazine, vol 15 no 3, summer, p 41-42
O’Connell, Mary. “Mix and Match Artistry”  Now Magazine, March26
Tourangeau, Jean. “Suzy Lake”, Vie des Arts, June issue, col 31, no 123, p 78

1985 

Andersen, Margurite. “Suzy Lake: A Photographic Portoflio with text by Margurite Andersen” Lightworks, Fall issue 17, p 7-19

1984 

Johnson, Eve.  “The Camera as Manipulator,” Vancouver Sun,Vancouver, BC, Canada, July 12
Le Page, Alide.  ”Participation is Key Element of Artist’s Work,” St. Catharines Standard, St. Catharines, ON, Canada, May 4 

1983 

Bently Mays, John.  “Gardens to Bloom with Art,” Globe and Mail,Toronto, ON, Canada, April 29
Barkwell, Bob. “Sorel Cohen/Suzy Lake: Consideration on Conceptual Art” Photo Pipline, p 18-20, Nov 7
Lamia, Stephen. “Artworks in the Gardens” Arts magazine, fall issue, vol 12 no 65, p 30
Unknown. “Sorel Cohen/Suzy Lake” Photo Pipeline, p 18, December 8
Wilcox, Beth. “Suzy Lake at Sable Castelli Gallery” Arts magazine, fall issue, vol 15, no 65, p 30

1982 

“Artist’s Self-portraits Study of Vulnerability”, Lethbridge Herald,June 8 
“Au Musee du Madawaska: Exposition de photos artistiques” Le Madawaska, Edmundston, NB, Canada, January 20
Elliott, James.  “Sorel Cohen / Suzy Lake at Artcite,” Windsor Star, Windsor, ON, Canada, July 16 
Hume, Christopher.  “Is Yorkville Ready for Leather Realism?” Toronto Star, Toronto, ON, Canada, December 8
Rapp, Otto.  “Photo Exhibit Superior,” Lethbridge Herald, Lethbridge, AB, Canada, June 16 
“Une exposition regroupant trois photographes de calibre”, La Republique, p. 15, Moncton, NB, Canada, January 20, 

1981 

“Arts Diary”, Oshawa Times, p. 3, November 9 

Ferencz, Carl.  “You’ll See Plenty of Suzies at the Station Gallery Soon,” Oshawa Times, Oshawa, ON, Canada, November 6 

Spina, Fernando N.  “At the Whitewater Gallery,” North Bay Nugget, North Bay, ON, Canada, February 20
Allen, Carroll. “When You’re Depressed”, Chatelaine, November issue, pp 76-77 Gorman, Brad. “Mutilated Photography, Image Nations No 23” Photo Communique, fall issue, vol 3 no 3, p 38 
Hume, Christopher. “Women Artists: Bright Young Newcomers on Canada’s Art Scene”Chatelaine, 54, October, p 84-87 
Kritzwiser, Kay. “Viewpoint: 29 x 9” Artmagazine, February March issue, vol 12, issue 52, pp 10-16
Unknown. “Suzy Lake” Impressions, 27, spring issue, p 20-23
Hlynsky, David. “Mutilated Photography” Image Nations, No 23

1980 

Schacherl, Eva. “Photographic Conversations Aim to Disturb” by Eva Schacherl,SaskatoonStar-Phoenix, Feb 16, p.6
Demarais, Danielle. “Les nombreux vosafes de Suzy Lake et de Raymonde April” Canadian Woman’s Studies,  vol 2 no 3, p 55-56
Levy, B. “1965-1980: Yet to be Written” Art and Artists, United Kingdom, pp 36-41
Redgrave, Felicity. “The 5th Dalhousie Drawing Exhibition at Dalhousie ArtGallery”Artmagazine, September/October issue, vol 12 no 50, pp44-45
Sainte-Jacques, Rosanne. “Suzy Lake: Une ‘phraseologie’ photographic”, Parachute18,spring issue, p 42
Mendel Art Gallery, “Suzy Lake” Folio 8, February, p 4-5
“The Winnipeg Perspective” Afterimage, vol 7 no 7, Feb 18

1979 

“Two Women Celebrate the Human Drama” by Virginia Nixon, Montreal Gazette, Nov 24, p.74 
“Pencil Art Exhibition”, Penticton Herald, June 27, Canadian Art Review, vol 6 no 2, p 169, 174 
“Peterborough Scene: Artspace”, Inprint, 3, 3 Sept, 4 
MacWilliam, David. “Suzy Lake: Sable Castelli Gallery” VanguardMagazine,December/January issue, vol 8 no 10, p 29
Murray, Joan. “Some Contemporary Women Artists in Canada” Fireweed, AWoman’s Literary and Cultural Journal, summer issue, vol 3 no 4, p86-101
"Lake Stops You in Your Tracks” by James Purdie, Globe and Mail, Oct 6, p.E8 
“Suzy Lake: La fascination del’autoportrait” by Gilles Toupin, LaPresse, Nov 24, p D21
”Les expositions: Suzy Lake, ‘Are You Talking to Me?’”, Le Devoir, Nov 24, p.33 

1978 

“Concert Multimedia fort goute du public” by Francoy Roberge, Le Devoir, May 5, p17
“The Art Scene”, by Barney McKinley, Sunday Sun (Toronto), Jan 1  
“Lake’s Photos Change her Face to Show the Masks we all Wear” by Virginia Nixon,Montreal Gazette, Jan 28, p.28 
“Musee Display Shows Photos from a Trash Can”, by Virginia Nixon, Montreal Gazette, Aug 12, p.22
“At the Galleries: Perspectives on Life from Three Women”, by James Purdie, Globe and Mail, Jan 7, p. 34
Baworowska, B. “Sztuka kobiet [Women’s Art]” Szutka, Warsaw, Poland. vol 5 no 4, p 96-70, 86, 89
Birnie Danzker, Jo-Anne; Joan Murray. “Montreal-Montreal” Vanguard, March issue, p 7-12
Ewing, William. “Canada’s Artists with Cameras” Artnews, AprilIssue vol 77 no 4, 9 82-86
Kaplan, Naomi. “Visual Arts, Suzy Lake at the Vancouver Art Gallery” YVRVancouver in Review 3 May/June
Nemiroff, Diana. “Suzy Lake: ImPositions” Parachute, vol 10,spring issue, p 9-11
Racine, Rober. “Festival des performances du M.B.A.M.” Parachute,vol 13, winter issue, p 43-47
“Image Co-Op Newsletter”, Montpelier, Vermont

1977

Shapiro, Barbara. “Retrospectiv 1976-1977”  Parallelogramme, ANNPAC,Montreal
Rosshandler, Leo. “S’amusee” Impressions Magazine, vol 19, June issue, p 13
Nemiroff, Diana. “Suzy Lake and Sorel Cohen” Artscanada, 214/215,May/June, 61-63

1976 

“Artist Gets Bound-up in Work” by Gary Michael Dault, Toronto Star, Jan 11 
“Le Artiste di Magma Esponagono nei Musei”, Bresciaoggi (Italy), Feb. 26 
“Who Pulls the Strings” by Henry Lehmann, Montreal Star, May 21, p.D5 
“D’une expoition a l’autre” by Gilles Toupin, La Presse, May 14,p. D19 

1975

Lamy, Laurent. “Suzy Lake par Suzy Lake: images et metaphors” Vie des Arts, spring, 32-33
Unknown. “Nouvelles de la photographie – Montreal: Conceptualisme et Esthetisme”Oeil, 240-241, July Aug, p 79

1974 

“Photos by Suzy Lake at Galerie Gilles Gheerbrant”, by Georges Bogardi, Montreal Star,Nov. 2, p.D3
“Y a-t-il un art ‘d’avant-garde?” by Claude Gosslin, Le Devoir, Oct26, p.18 
”The Art That Was”, by Henry Lehmann, Montreal Star, Dec, 28, p. B6 
“Les mille et un visages de Suzy Lake”, by Gilles Toupin, La Presse, Oct 26,  pE19
Politi, Giancarlo. “Flash Art U.S.A. and Canada” Flash Art, Oct/Nov 48-49, p 51
Pontbriand, Chantal. “A Simulation of Suzy Lake as Gille Gheerbrant” Artscanada, 192-195, Dec, 122

1973 

“L’Exposition de Suzy Lake” by Gilles Toupin, La Presse, Dec. 8, p. C18 
“Vehicule: Suzy Lake, Allen Bealy”, by Catherine Bates, Montreal Star,Dec. 15, p D7
Toupin, Gilles. “The Option of the Group Vehicule” Vie des Arts, vol 17


Using Format